Below are our valued members of ASLEC-ANZ. You’re welcome to connect with each other and continue growing our community. To join ASLEC-ANZ please, visit our Join Us page and sign up.
Please note Members email addresses are no longer available on this site.
If you are a member and would like to update your bio or photo, please email the Managing Coordinator, Alanna Myers, email@example.com.
Dr. Michael Adams
University of Wollongong
Michael Adams writes about humans and nature, and is Honorary Principal Fellow in Human Geography at the University of Wollongong. His research has examined relationships between Indigenous peoples and conservation, and recent work examines freediving and oceans. His work is published in Meanjin, Australian Book Review, The Guardian, Griffith Review and academic journals and books. His essay ‘Salt Blood’ won the 2017 Calibre Essay Prize. Web: https://scholars.uow.edu.au/individual?uri=http%3A%2F%2Fuowvivo.uow.edu.au%2Findividual%2Fmichael_adams
Dr. Kay Are
University of Melbourne
I am a writer, maker and researcher, thinking through how we might re-vision the material spaces and technologies of writing practice and pedagogy through quantum mechanical precepts. I want to discover what this thinking can do to my writing, and to students’ writing, and to writing as a concept. Alongside this, I hope to learn what writing teaches science: creative writing as a mode of feminist science studies. Part of this project entails investigating models of kinetic and embodied teaching and learning through my employment in the Faculty of Arts at the University of Melbourne. Another part involves writing – conceptual, fictocritical, site-responsive and collaborative writing, and experimental translation. Some of the objects that come out of this research have been published or exhibited around the place, but others aren’t ready yet. (I like the work of making more than I do the work of being out around the place). I am now working on producing one creative and one scholarly monograph, and also a drifting-book, a sea-sponge book – an evolving, community-grown, web-based vision, still open to morphing.
Dr Keith Armstrong
Queensland University of Technology
Keith Armstrong is an experimental artist profoundly motivated by issues of social and ecological justice. His engaged, participative practices provoke audiences to comprehend, envisage and imagine collective pathways towards sustainable futures. He has specialised for over twenty two years in collaborative, experimental practices with emphasis upon innovative performance forms, site-specific electronic arts, networked interactive installations, alternative interfaces, art-science collaborations and socially and ecologically engaged practices. His research asks how insights drawn from scientific and philosophical ecologies can help us to better invent and direct experimental art forms, in the understanding that art practitioners are powerful change agents, provocateurs and social catalysts. By inventing radical research methodologies and processes he has led and created over 65 major art works and process-based projects, exhibited in Australia and overseas. www.embodiedmedia.com
Dr Susan Ballard
University of Wollongong
Susan Ballard is an art writer and Associate Professor of Art History at Victoria University of Wellington Te Herenga Waka, Aotearoa New Zealand. Her research spans the fields of art history, creative nonfiction, and the environmental humanities, and examines the histories of nature in contemporary art with a particular focus on artists from Australia and Aotearoa New Zealand. She often works in collaboration with many others. Her books include Alliances in the Anthropocene: Fire, Plants and People (with Christine Eriksen), 100 Atmospheres: Studies in Scale and Wonder (with the MECO network) and Art and Nature in the Anthropocene: Planetary Aesthetics (due out in March 2021).
Pie is a contemporary installation artist working at the human/geological interface. Her practice is grounded in materiality and temporality. She uses transformation of geological processes to expand ideas about humanity as a geological force. Tertiary studies in art and science (geology) have resulted in Pie’s unique, authoritative practice. Innovative objects and installations are backed up by sound research and technical expertise to assist the development of a clearer understanding of the complex relations between the human and nonhuman. Pie has worked as a field exploration geologist, is an experienced ceramic technician and a PhD candidate at RMIT.
Dr Alda Balthrop-Lewis
Australian Catholic University
My research interests focus around religion, ethics, politics and literature – especially north american nature writing, ascetic practice, and the history of environmentalism.
I am a Sydney-based multidisciplinary artist, working in sculpture and installation. A recent postgraduate of UNSW Art and Design, I completed an MFA (research) titled Humans inside Nature: Co-agency in Multi-species Art. My current research area revolves around mutualism in the fields of ecology, post-humanist philosophy, evolutionary biology and ecofeminist art. I often work collaboratively and mentor other artists, students and interested community members. For my public art projects, I collaborate with colleagues and scientists to create transdisciplinary works. I am presently developing artworks about collaborative systems, cycles and dynamics through transdisciplinary work with philosophy and science.
Anne Buchanan Stuart
My interest lies in how things of the world intend beyond themselves and towards us, and how we find ourselves involved, often under duress, in a larger array of relations. My interest is in how things show up as entwined, often resisting any hierarchical intention, presenting in such a way as always related to something outside itself. My interest lies in how the language of ecopoetry itself makes a claim on us, and its relation to relation. My interest lies in not just what language is related to, but that there is relation in the first place.
A creative writer currently studying a Doctor of Philosophy in Creative Arts at the University of Wollongong. My current research studies alternative approaches to environment and ecology in science and speculative fictions (SF), focusing particularly on Australian SF. This research is practice-based, and includes a SF novel: Maybe revolution is too strong a word….
Dr Martin Branagan
University of New England
Dr Marty Branagan has written extensively about nonviolent environmental activism in Australia and abroad, including in his 2013 book Global Warming, Militarism and Nonviolence: The Art of Active Resistance (https://www.palgrave.com/gp/
An independent scholar, writer and visual artist (primarily in film, photography, poetry and cultural studies). My research interests include the fool trope, excess, the sacred and the ethics and sustainability of a commitment to place. I live in lutruwita-Tasmania, where I operate Bright South (www.brightsouth.com.au), a publisher and arts marketing consultancy. I publish Tasmanian writing, mainly poetry, and am a member of the Board of Management of TasWriters. My interests and activities are, at their core, mainly concerned with environmental sustainability, respect and the support and inclusion of diverse people.
Monash University & Goethe-University
My PhD is about reading the Anthropocene in Australian literature, and about understanding literature through the Anthropocene debate. I work on Extinction/Regeneration, Bioethics/Technology, Pollution, and Environmental Justice and Ethics. I am also interested in trans-cultural, world literary studies and Ecocriticism.
Prof. Jacky Bowring
As a landscape architect I have a foot in the world of science and another in the world of art, bringing an affinity with literature, environment and culture. Originally a geographer, the landscape is a natural home, and seeing it through different lenses is a key part of what I do. Emotion and landscape is one of my main areas of exploration and I have written two books on this topic – A Field Guide to Melancholy, and Melancholy and the Landscape: Locating Sadness, Memory and Reflection in the Landscape. This year I’ve published the first ever book on criticism in my discipline: Landscape Architecture Criticism.
Michael Chew is an sustainability educator, community cultural development practitioner and photographer, with longstanding passion for environmental sustainability and global justice. He co-founded the NGOs Friends of Kolkata and Friends of Bangladesh and the Melbourne Environmental Arts Festival, and has ran participatory photography projects across Asia. Michael is completing a PhD in the use of photography for stimulating grassroots environmental action between Bangladesh and Australia. His research interests include eco-phenomenology, eco-psychology and participatory photography.
Dr Robert Crocker
Art Architecture and Design, University of South Australia
I teach history and theory of design and design for sustainability at the University of South Australia. My background is in the (early modern European) history of science, religion and philosophy, and my current research interests focus on the relationship between consumption, waste, sustainability and design. My most recent publication was Somebody Else’s Problem: Consumerism, Design and Sustainability (Greenleaf / Routledge 2016), and I am the co-editor of two new collections of essays, currently in press, Subverting Consumerism: Reuse in an Accelerated World (Routledge) and Unmaking Waste: Towards a Circular Economy (Emerald). I am very keen to support the environmental humanities (and its variants) in any way I can.
Dr Julie Collins
University of New England
My research interests include the role of applied theatre and storytelling in evoking empathy and transforming behaviour in environmental and social justice contexts. I am also interested in the performative aspects of Reconciliation, especially in the context of the Myall Creek annual memorial ceremony, and in recreating and decolonising Australian history in performance. I am committed to engaging in research that respects the Indigenous values of Respect, Responsibility, Relevance and Reciprocity, and which is community-based and participatory.
She spent eighteen years as a military brat in occupied territories; migrated three times to two different countries, and lives now on an almost self-sufficient micro ‘farm’, in Tasmania, where she taught at the University for seventeen years. She is on the Advisory Board of the Indian Journal of Ecocriticism. Her qualifications are in literature (University of Tasmania), and media (University of Texas). Website www.ca-cranston.com
Poet and environmental activist. Has written extensively on the Snowy River.
Dr. Rick De Vos
I am an Adjunct Research Fellow in the Centre for Culture and Technology at Curtin University and a member of the Extinction Studies Working Group. My research explores notions of extinction, in particular anthropogenic species extinction, and its resonance in contemporary cultural practices. I have published essays on extinction, in particular its cultural and historical dimensions, in Knowing Animals (2007), Animal Death (2013), Extinction Studies: Stories of Time, Death and Generations (2017), The Edinburgh Companion to Animal Studies (2018), and in various journals.
Dr Sarah Edwards
Sarah Edwards is an interdisciplinary artist based in Melbourne. Her PhD research – The Museum Hummingbird: Transforming Nature, Creating Wonder – took its inspiration from the methods used by natural history museums to prepare specimens. By appropriating these transformative processes, Sarah questioned our relationship with nature as mediated through natural history collections. Experimenting with light and sound, Sarah’s artwork examines pre-sixteenth century concepts of the world as represented through mythology, alchemy and poetry. Framed by Foucault’s seminal The Order of Things (2007), Sarah reflects on systems that ascribe meaning to the natural world.
Prof. Stephanie Erev
Portland State University
My research and teaching interests include eco-feminism, pluralism, Greek tragedy, process philosophy, vital materialism, micropolitics, and eco-art practice.
Prof. Jane Ekstam
Östfold University College, Halden, Norway
I work with English literature at bachelor, Master’s and PhD level. I’m currently writing two book chapters on literature and ecology as well as a young adult novel with a strong focus on climate change and the current state of the planet.
Associate Professor Ann Elias
University of Sydney
Ann Elias’s relevant expertise lies in the history and theory of visual culture relating to relationships between human and non-human environments. Three projects (and books) on camouflage in war and nature, flowers and botany in visual culture, and representations of underwater ocean environments and coral reefs, bring art, science and popular culture to the study of human environmental impact.
Dr Anne Elvey
Dr Anne Elvey lives on Boonwurrung Country in Seaford, Victoria. She is a researcher, poet and editor, with interests in ecological poetics, ecological feminist hermeneutics, ecological criticism and the material turn, poetry and biblical literature. Her poetry publications include, On arrivals of breath (Poetica Christi 2019), White on White (Cordite Books 2018), and Kin (FIP 2014), shortlisted in the New South Wales Premier’s Literary Awards 2015. Obligations of Voice is forthcoming from Recent Work Press in 2021. Anne is editor of hope for whole: poets speak up to Adani. Her most recent scholarly book is Reading the Magnificat in Australia: Unsettling Engagements (Sheffield Phoenix 2020). She was inaugural managing editor of Plumwood Mountain: An Australian Journal of Ecopoetry and Ecopoetics from 2013 to 2020. Anne holds honorary appointments at Monash University and University of Divinity.
University of Melbourne
Katherine FitzHywel is a Creative Writing PhD candidate at the University of Melbourne. She is exploring how nonhuman animals are represented or misrepresented through the language employed in contemporary Australian poetry, and how poetic language might contribute to the perception and treatment of nonhuman animals.
I am interested in Australian Literature and environmental politics and ecocriticism. I am especially interested in multicultural writing in Australia and the relationship between multiculturalism and the environment in Australia. I have an interest in allegory and ecocriticism.
Artist, Honorary Academic & Founder of the Tree Veneration Society.
As an eco-artist Louise aims to promote new, experimental ways of perceiving the land in the 21st century. She believes that how we perceive and contemplate the land affect how we respond to the land. Her work investigates Anthropocene extinction, environmental justice and climate adaptation and rests at the intersection between the aesthetic approach to art and the ethical. For the past 20 years her practice-led research has focused on the veneration of trees, a subject she was drawn to for the magnitude of their environmental significance and their universal, pan-religious symbolic importance. She has researched the significance of ‘the Tree’ historically, culturally, symbolically, politically, scientifically and how perceptual shifts through imaging can activate change and contribute to creating new insights into environmental issues
Dr Rod Giblett
Rod Giblett is interested in literature, culture and the built and natural environments, especially cities and wetlands. He is a writer of fiction and non-fiction, and the author of more than 25 books, beginning with the now classic Postmodern Wetlands (Edinburgh UP, 1996), the first book of wetland cultural studies. His latest book is New Lives of the Saints: Twelve Environmental Apostles (Hamilton Books, 2019). His next book to be published by Intellect Books is a cultural and environmental history of Melbourne focusing on its literature, culture and built and natural environments. He is currently writing a collection of environmental detective stories about swamp deaths. He was a local environmental activist in Perth for 25 years. He is Honorary Associate Professor of Environmental Humanities in the School of Communication and Creative Arts at Deakin University. For more information about his work and publications go to: https://muriuniversity.academia.edu/RodGiblett and Amazon.com
Dr Valentina Gosetti
University of New England
Most of my research so far has been aimed at revaluing the contribution of lesser-known poets, authors, and languages with the longer-term plan to achieve a fairer, more inclusive, and representative literary canon. My main research interests include nineteenth-century French poetry, especially by authors from the provinces of France, and the development of prose poetry. I am also interested in Comparative Literature, French-speaking women poets, and poetry translation, especially into minority languages. With Daniel Finch-Race, I am guest editing a special issue of “Dix-Neuf” on Ecoregions. I am a Senior Lecturer in French at the University of New England (Australia), following my years as a Junior Research Fellow at St Anne’s College, in the University of Oxford. My publications include the monograph ‘Aloysius Bertrand’s ‘Gaspard de la Nuit’: Beyond the Prose Poem’ (2016), the volume ‘Donne: Poeti di Francia e oltre dal Romanticismo ad ogg’i (2017), a bilingual anthology of French-speaking women poets from Romanticism to the present day, which I edited and translated with Adriano Marchetti and Andrea Bedeschi. My articles on Bertrand, provincialism, autoexoticist provincial practices, the provincial press, prose poetry appear in PMLA, The Australian Journal of French Studies, French Studies Bulletin, Romantisme (with Antonio Viselli), L’Esprit créateur (with Daniel Finch-Race), Revue Bertrand (With E.J. Kent), La Giroflée Bulletin Bertrand, and Dix-Neuf and edited volumes on multilingualism (with Paul Howard) and transnational encounters. I am now working on a book on the importance of Reclaiming Provincialism as an empowering tactic and the role of Provincial Poets in the Making of the Nation in Nineteenth-Century France.
Prof. Susan Hawthorne
James Cook University, Townsville
I work across poetry, fiction and non-fiction. My books include theoretical works on ecology, Wild Politics: Feminism, Globalisation and Bio/diversity (2002) as well as works of ecopoetry Earth’s Breath (2009) and Limen (2013) and a number of titles that focus on animals Cow (2011) and Lupa and Lamb (2014). Our relationship to land, animals and plants as well as the way it affects us infuses all my work, including my fiction The Falling Woman (1992/2004) and Dark Matters (2017). I am currently working on a new non-fiction work that focuses on global violence, patriarchy, climate change and feminism.
Dr. Michael Hewson
Michael is an environmental geography teacher and researcher at CQUniversity, Rockhampton. His research interests are in the spatial analysis of the atmosphere using digital mapping and satellite remote sensing. But Michael works within a humanities discipline of the university and has become enamoured with the need for humanities skills to inform science and interpret the environmental issues of our day. He too then has turned his hand to photography and poetry and strategic storytelling.
James Cook University
My research focuses on Shakespeare studies, the health humanities, ecocriticism, place-based learning and site-specific theatre. My next book will explore Shakespeare and place-based education. I created and coordinate the subject ‘Green Worlds: Environment and Literature’ at James Cook University, and am interested in using local space to enrich the teaching of literature.
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University of New England
I am an interdisciplinary researcher technically trained in political science and humanities. My current research as a PhD candidate at UNE is focussed on alternatives to the military. These alternatives are, anarchism, agroecology/permaculture and nonviolent social defence.
University of New South Wales
Dr Jo Jones
I am currently working on projects involving deep mapping, ecocriticism, phenomenology, theories of affect and river studies. My newest project involves the literary history of my local rivers and is titled “Deep mapping as post-criticism, through a case study of the literature of the Derbarl Yarrigan and Djarlgarra (the Swan and Canning Rivers of the Perth region).”
Dr. Elizabeth Leane
I work at the University of Tasmania, and currently, hold a Future Fellowship split between the School of Humanities (English program) and the Institute for Marine and Antarctic Studies. My current research is focussed on human engagement with the Antarctic and the Southern Ocean regions. My most recent publication is South Pole: Nature and Culture (2016). My original training is in science, and I also have research interests in literature and science and human-animal studies.
University of Wollongong
I am a writer and researcher interested in the representation of climate change in fiction. My ‘novel in stories’ about grief and climate change, The Flight of Birds (2019) is published by Sydney University Press. I am also part of the multi-authored project, 100 Atmospheres: Studies in Scale and Wonder (Open Humanities Press, 2019), which rethinks creative practice in the Anthropocene.
My doctoral research is in the field of environmental humanities, informed by material ecocriticism. I am working on my regeneration of the imaginaries of water, plants, food and waste through human and more-than-human forms of communication as experienced in two permacultural sites.
Gadigal-based visual and performance artist with interests in the intersections of queer, multi-species, and extinction studies in the Anthropocene. Currently thinking with material practices of queer mourning with and beside bird ecology.
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Dr Laura Jean McKay
Laura Jean McKay writes about humans and other animals. Her new novel, The Animals in That Country, is out with Scribe in 2020. She is also the author of Holiday in Cambodia, a short story collection that explores the electric zone where local and foreign lives meet. Holiday in Cambodia has been shortlisted for three national book awards: the 2014 NSW Premier’s Literary Award, the 2014 Queensland Literary Award and the 2015 Asher Award for books on an anti-war theme. Laura has a PhD in Creative Writing with a focus on Literary Animal Studies from The University of Melbourne and is a Lecturer in Creative Writing at Massey University.
I am interested in the ways creative nonfiction in an Australian context might situate ‘the narrating self’ in the posthuman turn to develop ecocultural identities that readdress dominant cultural/colonising constructions of discursive landscapes. My research focuses on how theoretically informed and heterogeneous creative works occupy an emergent zone where experimentation with narration, transdisciplinarity, language and form might lead to new ways of conceiving “diverse imaginaries” and encourage human “situatedness” in “biosemiotic” narratives. My Masters research more specifically focuses on how creative nonfiction might use the narrative strategies of modal patterning to develop a unified ecocultural identity and voice.
Dr Catherine McKinnon
University of Wollongong
Catherine McKinnon is a novelist, playwright and academic. Her most recent novel, Storyland (2017), was published by Harper Collins. She teaches creative writing and performance at the University of Wollongong. Catherine’s current research investigates climate change and narratives around atomic energies.
Dr Grace Moore
University of Otago
University of Wollongong
My research revolves around contemporary poetry, with a particular interest in ecopoetics.
Luna Mrozik Gawler
Mrozik Gawler is a transdisciplinary artist, researcher and facilitator interested in the role of live art in multispecies worlding and future making. Their work explores the intersections, ethics and entanglements of bodies- human and non-human, material, cultural, ecological and socio-political using speculative methodologies to consider post-human knowledge production and more than human care. This research-based practice is informed by experimental ecological methodologies and draws on more than a decade of immersive design experience to engage installation, performance, media, and text.
Hearing the voices of the natural environment, and those that move through it has been a passion for my adult life and career. I’m a radio documentary maker with 20 years experience at ABC RN in Australia, making features that explore the nexus between human, environment and the psyche. Currently in the midst of a PhD that explores podcasting and citizen storytelling as a means to communicate the unique ways we step up for our home ground. This started as a website gathering stories of ‘rescue’ (https://landcareaustralia.org.au/rescue/) and is currently (June 2019) becoming a podast of some of these short stories plus a longer documentary feature about the Atherton Tablelands in far north Queensland. The sound of the world is a critical part of my practice, and recording it has been a lifelong love affair.
Dr Emily O'Gorman
Emily O’Gorman is an environmental historian with interdisciplinary research interests within the environmental humanities. Her is primarily concerned with contested knowledges within broader cultural framings of authority, expertise, and landscapes. Currently a Senior Lecturer at Macquarie University, she holds PhD from ANU and undertook a postdoctoral candidacy at the University of Wollongong. She is the author of Flood Country: An Environmental History of the Murray-Darling Basin (2012) and co-editor of Climate, Science, and Colonization: Histories from Australia and New Zealand (2014, with James Beattie and Matthew Henry) and Eco-Cultural Networks and the British Empire: New Views on Environmental History (2015, with Beattie and Edward Melillo).
Charles Sturt University, NSW
Artist | Researcher | Bioregional Human
Practice/Research – Decolonisation and Reinhabitation – environmental mutualism – consilience thinking – critical practices of place – Yindyamarra – bioregional understanding of ‘living well’ within place – new cartographies – domestic history and contemporary practices - environmental-arts practice – arts.
Dr. Perdita Phillips
Perdita is a contemporary artist and researcher. Working across media, recurrent themes of attention to ecological processes and a commitment to a resensitisation to the physical environment are apparent in her practice. Her current work addresses how we can be ‘both’ and ‘and’ at the same time: the role of complicity in social-ecological systems and how to maintain a contingent – yet effective – position as an artist, consumer and great ape. She is interested in transdisciplinary collaborations around the aesthetics of care, drains and subterranean ecologies, decolonisation and Australian ecosystems, anticipatory archives, geological materiality, mining landscapes, speculative ecological thought and disaster recovery.
Honorary Research Fellow, Australian National University; Environmental Humanities Switzerland
I am an ecologist and environmental photographer with a particular interest in the fungal and the spineless. Other areas of research interest include environmental history, ecocriticism, Australian literature, forest ecology, conservation and other field-based research.
Dr Greg Pritchard
I am a practicing artist and arts administrator. My PhD from Deakin was an ecocritical appraisal about text on whaling, including Moby Dick (through the lens of Schopenhauer). Subsequently I did a Masters at RMIT is Shadows and Performance. My art making is writing, performance, theatre making, visual arts, conceptual arts and digital arts (VR, projection) and is often about environmental themes.
Dr Susan Pyke
University of Melbourne
Susan Pyke teaches creative writing, literature and environmental studies at the University of Melbourne.
Emily Potter is a literary and cultural studies scholar with an enduring interest in the intersection of place-making and storytelling, particularly in the context of post-colonial cities and extra-urban environments. She has researched and written widely on the material effects of storytelling practices and the implication of colonial imaginaries and narratives in the generation of climate crisis. Her work is collaborative and community-based, including a recently awarded Special Research Initiative ARC project (with collaborators Brigid Magner, RMIT and Torika Bolatagici, Deakin) focused on the literary history of the Mallee region of Victoria, which works with local Mallee readers to understand the how storytelling in place informs diverse cultures of local inhabitation and connection. She is a convenor of the Swedish-Australian network of scholars and artists, The Shadow Places Network, which explores the connected impacts of colonial-capitalist cultures across these countries.
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Dr. Iris Ralph
English Department, Tamkang University, Taiwan
Prof. Kate Rigby
Bath Spa University
I have a background in German Studies and Comparative Literature, and much of my research has focussed on European Romanticism and its varied inheritances in settler-colonial cultures, especially in Australia. My work is informed by ecological feminist, ‘new materialist’, multispecies and counter-colonial perspectives. I have a particular interest in transdisciplinary disasters studies, extinction studies, and ecocritical/ecotheological studies of literature and religion.
Dr Dominic Redfern
I create video artworks focussed on the ways our understanding of place is informed by the relationship between social and natural histories. Over the last several years I have worked often around urban waterways where I use studies of plants, insects, microbes and human waste to examine often overlooked elements of the environment that can tell us important things about how we are enmeshed within ecosystems. I have also recently begun work with the microscopic world of very simple lifeforms to consider the definition and nature of life. I teach in the postgraduates program at RMIT’s School of Art.
Professor, Fenner School of Environment and Society, ANU Canberra; Centre for Historical Research, National Museum of Australia, Canberra AND Royal Institute of Technology (KTH) Stockholm.
I am doing a practice-led PhD at RMIT, Melbourne. My research is an eco/hydro feminist dive into emotions, interspecies contact and women’s situated knowledge in small boat fishing communities in the North Atlantic. Broadly, I create immersive and ephemeral site-specific works using sound, film, photography and textiles to explore placemaking, labour and ritual, empathy, strange ecologies and ocean imaginaries. I often collaborate with other artists and musicians. Recent works include creating ways to share space and communicate with seals and other pinnipeds, and the mythology of the woman-fish hybrid.
Dr Kimberley Satchell
I am an environmental and blue humanities, independent scholar working in the area of studies in creativity, oceanic studies and environmental philosophy. My current project is Auto-choreography: The Art of Living in the Anthropocene exploring creative practice, performance and spirituality.
James Cook University
I am a creative writing researcher with an interest in the wet tropics of north-eastern Australia. As such, my research ventures into literary regionalism, ecocriticism, pastoralism, and other areas of study where humans engage with non-human nature or where the non-anthropocentric dominates.
Dr Julie Shearer
University of New England
Julie Shearer is a Theatre Studies lecturer at the University of New England in Australia. Her career began as a professional actor and theatre-maker in Australia, working with Bell Shakespeare and the QTC amongst others. After a number of years in Ireland, she completed an MA at University College Dublin and obtained her PhD from Trinity College. Her research areas include social geography, political theatre, contemporary Irish and Australian theatre, actor training and Renaissance drama. She is currently working on a book entitled Theatre in Action: A Practical Guide for Students and Teachers of Theatre, Drama and Performance.
Massey University College of Creative Arts Toi Rauwharangi
I am a visual artist and current PhD candidate at Massey University in Wellington NZ. I work with experiential and participatory art practices to address relationships of domestication as a site of human/nonhuman interaction. My research posits and sets out to test the veracity of a working methodology that deliberately cultivates a hopeful space for imagining and feeling, in tandem with intellectual and informational research. This is a working hypothesis in two parts; firstly, navigating a methodology through which to nurture re-imaging; through the ‘mindful fostering of a practice of durational, conceptual and intellectual holding-back from familiar ways of perceiving’. With the hope that I might open these relationships for re-negotiation on new terms, understood experientially and viscerally, as well as intellectually. Part two of the hypothesis is that an immersive art experience might hold open such a space for a viewer and encourage an attitude of observant waiting and active reimagining in relation to nonhuman entities.
Dr John Stockfeld
John is an environmental philosopher and earth scientist with interdisciplinary interests centered around the phenomenology of environmental valuing and environmental ethics. His interests encompass the articulation of landscape in word and image, weaving in the role of gesture and the middle voice, deep time and the geological history of landscapes.
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Ms. Leanne Thompson
Current UNSW Post Graduate
Leanna is currently undertaking a Master of Fine Art (practice-based research) sculpture, environmental, collaborative, art-science, socially engaged art practices.
Dr. Thom Van Dooren
Associate Professor of Environmental Humanities
My research and writing focuses on some of the many philosophical, ethical, cultural and political issues that arise in the context of species extinctions and conservation. My most recent books are Flight Ways: Life and Loss at the Edge of Extinction (Columbia University Press, 2014), and Making Worlds with Crows: A Multispecies Ethics (Columbia University Press, forthcoming). More information on my work is available at: www.thomvandooren.org.
University of Sydney, Department of Gender and Cultural Studies
I’m an PhD candidate in the Department of Gender and Cultural Studies at the University of Sydney, Australia. I’m also a writer and poet. My dissertation project uses an Environmental Humanities approach to explore urban ecological development and high-tech sustainable solutions. Across my research and creative works, I am interested in looking for the agents that enact sustainable story-making and may open up some other possible futures.
Dr Deborah Wardle
My research crosses the disciplines of creative writing and hydrogeology. Storying the voices of groundwater merges literatures and sciences through narrative.
University of Technology, Sydney
Phd student with the UTS Climate justice research centre. My PhD is a feminist ethnographic study of transitions to renewable energy in regional Australia. Research areas of interest include energy injustice, energy democracy, technofeminism, socialist ecofeminism and speculative feminism. I’ve been a climate and social justice activist for a decade and prior to commencing my PhD have worked for a few different NGOs and a federal Senator.
University of Bern, Department of English, Switzerland
I am both a visual artist and an academic researching contemporary English literature. In both disciplines, my area of interest is in ecocriticism, biosemiotics and the way manifestations of an environmental consciousness might intersect with models of human community and sociality. My paintings, in particular, ask after the connection between the social contract and environmental impact.